Poems for All Occasions

A Poetry for Your Lover, Kids and Friendship
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How It Strikes a Contemporary

I only knew one poet in my life:

And this, or something like it, was his way.

You saw go up and down Valladolid,’

A man of mark, to know next time you saw.

His very serviceable suit of black

Was courtly once and conscientious still,

And many might have worn it, though none did:

The cloak, that somewhat shone and showed the threads,

Had purpose, and the ruff, significance.

He walked and tapped the pavement with his cane,

Scenting the world, looking it full in face,

An old dog, bald and blindish, at his heels.

Poems for All OccasionsThey turned up, now, the alley by the church,

That leads nowhither; now, they breathed themselves

On the main promenade just at the wrong time:

You’d come upon his scrutizing hat,

Making a peaked shade blacker than itself

Against the single window spared some house

Intact yet with its mouldered Moorish work,—

Or else surprise the ferrel° of his stick

Trying the mortar’s temper ‘tween the chinks

Of some new shop a-building, French and fine.

He stood and watched the cobbler at his trade,

The man who slices lemons into drink,

The coffee-roaster’s brazier, and the boys

That volunteer to help him turn its winch.

He glanced o’er books on stalls with half an eye,

And flyleaf ballads on the vendor’s string,

And broad-edge bold-print posters by the wall.

He took such cognizance of men and things,

If any beat a horse, you felt he saw;

If any cursed a woman, he took note;

Yet stared at nobody—you stared at him,

And found, less to your pleasure than surprise,

He seemed to know you and expect as much.

So, next time that a neighbor’s tongue was loosed,

It marked the shameful and notorious fact,

We had among us, not so much a spy,

As a recording chief-inquisitor,2

The town’s true master if the town but knew!

We merely kept a governor for form,

While this man walked about and took account

Of all thought, said and acted, then went home,

And wrote it fully to our Lord the King

Who has an itch to know things, he knows why,

And reads them in his bedroom of a night.

Oh, you might smile! there wanted not a touch,

A tang of . . . well, it was not wholly ease

As back into your mind the man’s look came. Stricken in years a little—such a brow

His eyes had to live under!—clear as flint

On either side the formidable nose

Curved, cut and colored like an eagle’s claw.

Had he to do with A.’s surprising fate?

When altogether old B. disappeared

And young C. got his mistress—was’t our friend,

His letter to the King, that did it all?

Possibly related posts: (automatically generated)
How It Strikes a Contemporary

2 comments to “How It Strikes a Contemporary”

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